That could be a 20th century Avant-Garde style of improv I don't know? It is difficult to say that the particular section was written out as in comparison to a composer like George Crumb or John Cage where upon the average person might think their music sounds like noodling yet is charted out for 5 instruments and to be played exactly the same every performance. There is also experimentation towards the end with electronic sounding effects, percussion, mellotron and some in and out fading of notes sustained on horns. which is what Geesin did.however he more or less expanded further with intensity of a Classical mentality. They were like fragments that needed to be surrounded by a few signature lines. that were originally created by Pink Floyd and presented to Ron Geesin by the band were mostlt improvised pieces. The recordings later resurfaced in the band’s Early Years box set.The sections of A.H.M. Pink Floyd likely previously released the EP, 1965: Their First Recordings, in 2015 for this reason. It basically said, ‘If you haven’t used the recordings in the first 50 years, you aren’t going to get any more.’” With everything before that, there’s a new ‘Use It or Lose It’ provision. In 2013, a rep for Sony explained Bob Dylan’s release of uncirculated music by telling Rolling Stone, “The copyright law in Europe was recently extended from 50 to 70 years for everything recorded in 1963 and beyond. Their release may be timed to extend the rights of the recordings. The live albums contain songs that appeared in the film, including renditions of “Echoes,” “A Saucerful of Secrets,” and “One of These Days,” all of which were featured in the film’s Pompeii sequence.Īll of the recordings are copyrighted to Pink Floyd Music Ltd., suggesting these are official releases from the band. The recordings from September and October 1971 are also notable for sandwiching the dates in which Pink Floyd holed up in the ancient Pompeii amphitheater where they played to an audience of ghosts for a concert film released the following year. Many of the record’s well-known sound effects are completely different and “Money” features some unusual percussion. The songs are loose and jammy in a way not heard on the studio version. One recording - a March 1972 Tokyo gig - features a near-complete performance of Dark Side in sequence, a full year before its release.
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